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During the 1972 Munich Olympics, an American sports broadcasting crew is forced to cover the hostage situation of Israeli athletes

Set in the ABC control room in Munich for the 1972 Olympics, the film realistically portrays both the routine aspects of running a control room during an event and, of course, the tragic event of the “Black September” attacks on Israeli athletes.

The film also shows exactly how technology that was considered modern at the time looks amusingly primitive today (examples include giant VCRs, competition for satellite space, manual insertion of graphics, etc)

The control room is manned by ABC Sports President Roone Arledge (Peter Sarsgaard), Fleet Producer Geoffrey Mason (John Magaro), VP of Olympic Coverage Marvin Bader (Ben Chaplin), and German interpreter Marianne Gebhardt (Leonie Benesch).

Also adding to the realism is the use of archive footage of Jim McKay’s coverage of the tragedy

The key aspect of any thriller, however, is the script and direction by Tim Fehlbaum, who keeps you on the edge of your seat throughout the film.

But this criticism certainly doesn’t stop me from highly recommending this excellent film – it’s a must-see!

My only minor criticism is the casting of Benjamin Walker as Peter Jennings – he doesn’t seem quite right to play the handsome and dapper anchorman I remember (I probably would have cut his role out and just relied on the tape of Jennings speaking from the Olympic Village).

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